Monthly Archives: March 2012

Chicken Slaughter

We slaughtered the chickens yesterday. Chicken harvest, as folks call it, a term that’s always bothered me. Sure, it’s a harvest, but there’s a difference between harvesting kale and killing a bird. Killing a living creature with blood and lungs and a windpipe is significantly more complicated than snapping off a leaf of chard or picking a basket of peas. So let’s call things by their names.

The first time I killed a chicken it felt like a really big deal. It was back at the Farm School, and the day had a somber, important feeling about it. For many of us, it was the first time we’d purposely killed a creature we’d raised, with our own two hands. I was nervous about it, and the actual throat-slitting felt alien and difficult. Rightly so.

This time it felt entirely different. My good friend Monica, who has killed chickens many times in many different settings, came over to help out. It was the perfect day for it – not so cold that our fingers froze as we gutted and plucked, not so hot that it was gross and sticky. I’ve been giving away birds, so we only had seven left, which took us about three hours. A good morning’s work.

This is how we do it: We invert the chicken in a killing cone, attached to a tree, with her head hanging down toward the ground. We grasp her head firmly and make two clean slits on either side of the throat, letting the blood rush out. The quicker and sharper and deeper the stroke the better, as the aim is to kill as quickly and cleanly as possible. Sharp knives are essential.

I don’t enjoy killing chickens, and I’m certainly no expert. It’s not the kind of thing you pick up perfectly on the first try; the only way to get better is to keep practicing. It’s not fun, and it’s not pretty. It’s not romantic, the way planting and harvesting can be. There’s no easy way to spin it. Blood gushes onto your hands and gets on your pants. But it also isn’t a monumental thing. On small-scale diversified farms, killing is just as fundamental as putting seeds in the ground. A hard and practical part of life. In the scheme of things, killing chickens you’ve raised yourself, in the best way you know how, with some reverence for their small lives and some acknowledgment of exactly what you’re doing – well, it strikes me as a good idea.

There are a lot of important, complex, philosophical and ethical questions around the domestication and killing of animals. I’m not trying to belittle those, or ignore them. But here’s what I know: killing the chickens yesterday wasn’t that big of a deal. Those chickens have given us delicious eggs and plenty of entertainment for two years. But they’re not producing well anymore, or adding to the health and productivity of the farm. This is the part of the deal; this is what I signed up for.

For me, there is no emotional ambiguity, no guilt. There are six stew hens in the freezer, and they’ll make wonderful soup and stock. All the chicken innards we pulled out – lungs, hearts, intestines – are in the compost now, and eventually they’ll make new rich dirt, grow something. I don’t love slaughtering day the way I love pulling carrots and mulching beds with golden straw. That’s good; that’s the way it should be.

But there’s a satisfaction that comes from a job well done, a careful and thoughtful execution of a necessary task. It’s the same well-earned exhaustion, the same pride in good work, whether it’s after planting a quarter acre of tomatoes or slaughtering and gutting seven stew hens. Those chickens will feed me and my community for many months, and I can eat them knowing they were killed in the most humane way I know how, that they were plucked and gutted and cleaned with care and intention. Farming is dirty work, and there is nothing straightforward or simple about it. I’m glad it was me and Monica killing those birds behind the house yesterday morning, talking and laughing and trading stories, taking care, giving thanks, working hard under the grey March sky, sleeves rolled up in the raw early spring air.

Laura

Spring?!

It’s been a long time.

It’s grey and brisk as I write this. The muted browns and whites of the woods around the farm and the raw, open fields look like March – but it hasn’t felt much like March recently. It was upwards of 70 degrees in the greenhouse this week as I filled trays with leeks, scallions and onions. The first seeding of the season usually coincides with when I start getting sick of the snow. That ache for spring, and green, and long days working is usually building in my muscles about now.

What a strange non-winter it’s been. As a farmer, I’m especially attuned to the seasons. The deep cold, the dark days, the cover of snow – these things allow me to take a breath, to slow down, to turn my attention away from growing things for a little while. This year, the temperature hardly dropped below freezing for more than a few days at at a time, and the only real snow came at the beginning of March, and didn’t stick around for long. It felt like I was lost in time and space, unable to ground myself in the constancy of the turning of the seasons, the one thing that is always supposed to stay the same.

Of course, the seasons are no longer the steady natural calendar they used to be. I don’t know what the future will look like, but I’m pretty certain the weather is going to continue getting stranger and more extreme. Everything I read and observe about the world tells me that it is going to get harder to grow plants.

As a farmer, I’m learning to adapt. I’m paying attention to the weather in this particular place, trying to find patterns from year to year. I’m studying where and when the water drains in my fields, noting the length of the spring thaws, counting the number of warm nights we get in November and March. In other words, I’m doing everything a good farmer does anyway to take care of the land the best she can. But I’m working now with a different vision of what this land will look like in thirty years, and I’m thinking more about creating systems that will thrive through warm winters, heavy snows, big droughts, late springs. It’s a complicated challenge, and I’m not an expert. But this non-winter has left me with a sense of loss and urgency. Whether or not it was an odd fluke or a combination of typical variations in global weather patterns, it wasn’t normal, and it’s going to have consequences in the fields this season.

Still. It’s getting on toward the middle of March, and the fields have been fallow since November. The non-winter, the shortened period of rest, the changing climate – even future catastrophes and dire predictions – nothing changes how much I love this work. There is always a moment, walking into the greenhouse for the first time at the very edge of spring, when I fall in love all over again. It’s another sort of constancy, this certainty in my body, every spring, no matter how warm or difficult the winter has been, that this is where I want to be. It’s like the waning and growing of the light. The winter will always be the season of darkness, and the summer will always be full of light.

The greenhouse is about to burst open with thousands of tiny green seedlings – onions, leeks, shallots, kale, broccoli. Working in a tee-shirt, the sunlight pale and warm on my bare arms, the sound of tiny black seeds rushing out of their packets, the smell of potting soil, the familiar rhythm of the work – I felt full and blessed and deeply grateful for the beginning of another season, no matter the challenges it brings. This, I’m beginning to understand, is the only constancy I can really count on, this internal certainty of vocation.

Laura